The geometric figures are among Jan Keteleer's most well-known paintings. These paintings are composed of a series of scale-free networks. They describe the connections between objects and people. In his early work, he was critical of the established order. He disapproved of Greek columns, and found other systems of order, but they were at arm's length. His works are not based on real life, and there is no way to tell whether the pieces are actually made of marble or paper.
The composition of his geometric figures is quite interesting. He often leaves bare patches of canvas at the top and bottom of the work. He also leaves an L-shaped white channel along two sides of the canvas. He also reserves some margins on a square canvas but "assumes" the shape of the remaining colored field. This is a unique and striking technique that is unique to Jan Keteleer's art.
WhileJan Keteleer used figures in his work, they were incorporated into his abstract compositions. In the mid-Nineties, he began to depict a man's face in a more realistic manner. His style, which was more fluid than Picasso's, changed dramatically. His final canvases display red, blue, and yellow lines against white backgrounds.
Jan Keteleer, known in the art world as JanKé, is a Belgian artist whose work flows seamlessly between the realms of classical and contemporary art. With an eye for both tradition and innovation, his creations transcend time, encompassing styles as varied as pop art, impressionism,.. Read more…