Mortar and adhesive

An intriguing section of wall measuring approximately two square metres, where tiles were once laid. Now, after the tiles have been chipped away, a raw and unadorned surface remains: a layered composition of adhesive residue, traces of mortar and subtle discolourations which, together, form an unexpected abstract work of art. Every scratch, every ridge, every irregular smear contributes to a visual rhythm that feels both chaotic and harmonious.

The colours are earthy and subdued: soft shades of yellow, off-white, grey and brown blend into one another like natural layers of sediment. The rough texture of the surface creates a play of light and shadow. Thick, almost sculptural areas alternate with thin, scraped sections, giving the wall a tactile depth that invites touch. The overall effect is reminiscent of an impasto painting, in which the paint has been applied with a palette knife in powerful, intuitive strokes.

What was once purely functional – a base layer for tiles – is transformed here into an aesthetic object that celebrates the beauty of wear and tear. It is an ode to imperfection, to the process of building, breaking down and starting afresh. The wall almost resembles a landscape: a weathered rock face, a dried-up riverbed, a geological archive of layers that have slowly formed one upon the other.

In an interior, this print acts as a "statement piece". It brings an industrial, minimalist atmosphere with a touch of poetry. The organic patterns and subtle colour variations make it suitable for modern living rooms, creative studios, lofts or workspaces where texture and authenticity are valued. The image invites interpretation and remains captivating, as it does not impose a fixed meaning but leaves room for personal associations.