It all began at the end of the 1970s with technical illustrations for the world's largest science fiction series PERRY RHODAN. Later, I ended up in the digital world in the early 2000s using various techniques and have stuck with it, especially since the possibilities of expression here are becoming more and more diverse. Colors, technology and futurism are predominantly themes of my work. In many cases, I use a repetitive color spectrum – especially in picture series. Usually there is an original image, from which other images develop (from stored intermediate stages), because other ideas arise in the process that I want to pursue further.