Concentric composition in retro colours – geometric balance by Mixed media vector arts

Concentric circles segmented into clear colour fields form the centrepiece. Radial lines and a fine crosshair structure the surface, while diagonals and block shapes balance the pictorial space. The palette of petrol, ochre, coral and dark blue is reminiscent of muted retro colours; a subtle paper texture softens the graphic's austerity.

Mid-century graphics, Bauhaus design principles, a target as a symbol of focus.

The atmosphere is calm and focused. Instead of figurative motifs, form, contrast and proportion carry the narrative. Circles represent cycles and orientation, the cross represents alignment. The work conveys a sense of focus, measurability and temporal movement – like a frozen interface that functions without numbers.

A clear design language dominates: radial symmetry, modularly structured segments, deliberately used negative spaces. This fits in well with interior design styles such as mid-century modern, Scandi, contemporary minimalism, Japandi and industrial with warm accents. In terms of art history, it is closely related to Bauhaus, Swiss graphic design, constructivism and current trends towards reduced data aesthetics.

In rooms, the image acts as a calm anchor point: it organises colourful environments, makes a focused statement in neutral interiors and can be easily combined with wood, metal and textile surfaces. Its functional expression is particularly noteworthy – decorative, yet precise enough to structure meeting rooms, studios or living areas.
General information about the motif: Geometric target and circle shapes have been a core element of visual orientation since the modern era – from Bauhaus studies to the information graphics of the 1950s and 1960s. This work ties in with this and translates the principle into a contemporary colour scheme.