I made this frame around a single lamp that guides the eye across open water to San Giorgio. The space is intentional, letting air and light do part of the work, and keeping the scene as a path rather than a postcard. I waited for even tone so the sky would hold pastel color and the metalwork could stay crisp.
The exposure is slow enough to soften the surface without losing edge detail on the lamp. Look for a faint shimmer under the light, a narrow wake that points to the horizon, and the way the island sits quiet and assured. The palette stays gentle so the photograph can live with pale walls and simple materials.
The mood is light and minimal, good for rooms that ask for calm and direction. For me it holds a note of hope, the moment a route appears when you give it time, and a reminder that in Venice even a lamp can be a compass.
Designer and photographer, seduced by color... Read more…