She stands in a hall of steaming gold and ornate eternity - the guardian of lost time. Her gaze, hidden behind glowing blue lenses, penetrates not only matter, but also the decades. What she sees remains hidden from us - but it seems immense. Her glasses are not a tool for seeing, but a prism of dimensions through which past, present and future flow in equal measure.
Her hair, a living network of tubes, cogwheels and smoking copper spirals, is reminiscent of the inner workings of an ancient machine. Every curl harbours a secret, every wire a reminder of an age that never was - or is yet to come. Between them float gilded clocks, rose-like constructions and charred fragments of time, as if space itself had decided that it no longer existed in a linear fashion.
The patterns on her robe tell of ancient formulae, alchemical symbols and mechanisms whose function only she understands. She is not a scientist - she is a relic. A being that was not created, but has fallen out of the clock itself. A chronomechanic. Time is her element, deformation her art.
This work bows to the aesthetics of steampunk, but elevates them to something more poetic: a portrait of resistance to transience. In its silent presence lies the reminder that time does not pass - it only changes its face.
Conceived by Klaus Tesching - Art-AI, visualized with AI.
Based in the vibrant city of Stuttgart, Klaus Tesching is an established figure in the world of photography with an impressive career spanning four decades. His extensive body of work as a photographer has taken him through various aspects of the visual arts, with his eye for detail.. Read more…