Jan Asselijn on canvas, poster, wallpaper and ArtFrame by Frank Zuidam

Jan Asselijn was a prominent landscape painter and draftsman in the Dutch Italianate tradition. Born in the French town of Dieppe, France, as a child Asselijn moved with his family to Amsterdam in 1621. There he studied with Jan Martszen the Younger (c. 1609–after 1647), a specialist in battle scenes, and produced two cavalry scenes, dated 1634 and 1635. Like many Dutch painters seeking to perfect their art, Asselijn traveled to Italy after his early training, probably after November 1635. The experience would influence his painting for the rest of his life. In Rome, he became a member of the Bentvueghels (Dutch for “Birds of a Feather”), an association of northern artists who painted views of the sun-drenched Roman countryside, as well as picturesque scenes of everyday urban life. The group bestowed the nickname Crabbetje, or “little crab,” on Asselijn because of his deformed left hand.[2] Although no dated paintings survive from Asselijn’s time in Italy, his later works show the influence of the low-life street scenes of Pieter van Laer (Dutch, c. 1592 - 1642), as well as the light-infused landscapes of Jan Both (Dutch, 1615/1618 - 1652), both also members of the Bentvueghels. The renowned German writer Joachim von Sandrart praised the many “fine landscapes, small scenes, and animals,” that Asselijn made in Italy, while the Florentine art historian and biographer Filippo Baldinucci praised Asselijn’s renditions of capricci (“fantasies”) and his battle scenes. Asselijn wa