On a golden beach, tiny craters open like pores on the skin of the world. Around each hole, the sand arranges itself into rays, circles, and trails: a spontaneous geometry shaped by the undertow and the invisible activity of small organisms that dig and build, tracing an abstract, rhythmic, and natural drawing.
Seen from above, the scene looks like an engraved code: an alphabet of dots, trajectories, voids, and reliefs, where every form is born from a biological gesture, but becomes graphic rhythm, visual structure.
In this microscopic landscape, the beach becomes a written surface: sand as paper, and the water with its creatures as the hand that carves.
It is an organic abstraction, where life and geometry merge in a powerful visual balance between microstructure and composition.
Born in Milan on November 28, 1977, I’ve been living in Bormio for many years, where I work as a ski instructor and draw endless inspiration from the surrounding mountains and nature.
Photography, to me, is not just about representation, it’s about interpretation.
Many of my..
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