Fernand Léger. Preliminary study La Grande Parade from the old master collection

Buy Fernand Léger. Preliminary study La Grande Parade as a reproduction on canvas, ArtFrame, poster and wallpaper, printed on demand in high quality.
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Product details & specifications
Type
Textile fabric (interchangeable fabric) in an aluminium or wooden frame
Width
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Height
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Custom sizing
Made to measure, in steps of 1 cm
Frame thickness
25 mm Aluminium: 2–3 mm visible on the front
Wood: 0.5 cm visible on each side
Frame colours
Black, white, aluminium, gold
Wood: natural Ayous
Finish
Fabric: matte
Aluminium frame: matte (gold glossy)
Wooden frame: natural
Acoustic option
Yes (optional)
Sturdiness
Support bar included from 180 cm (aluminium frame)
Delivery
Self-assembly kit
Hanging
Wall mounts, or on a ceiling rail (see components)
Components
Frame, acoustic panel, wall mounts, eyelets for rail mounting (via customer service)
Not suitable for
Damp areas and outdoor use
Material
SEG textile
Acoustic material (B1 fire class, partly made from recycled PET bottles)

Components (frame, acoustic panel, wall mounts, rail mounting) can be ordered via customer service. A separate interchangeable fabric can only be hung if you already have an ArtFrame.

Size
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Aluminum frames
Wooden frames New
ArtFrame comes as a simple construction kit. View self-assembly instructions.
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Acoustic material
Total price
170,-
Art code 1856270
Fernand Léger. Preliminary study La Grande Parade by 1000 Schilderijen
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About ‘Fernand Léger. Preliminary study La Grande Parade’

Fernand Léger's preliminary study for La Grande Parade shows well how the artist carefully constructed his compositions from simple, monumental forms. Léger was fascinated by modern life and collective experiences such as circus, theatre and parades. In this study, he explores the arrangement of figures, colour areas and rhythm within the picture plane. The people are not psychologically elaborated, but reduced to robust, almost sculptural forms, with clear contours and bright, contrasting colours. This creates a theatrical but also distant scene, in which the mass is more important than the individual. Léger wanted to renew painting by connecting it to the world of machines, posters and urban energy. This is already evident in this preliminary study: the figures appear as parts of a carefully composed construction. From this, La Grande Parade grows into an ode to movement, spectacle and the rhythm of modern, public life.

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