Saint Peter and Paul, El Greco from the old master collection

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Art code 497092
Saint Peter and Paul, El Greco by The Masters
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Press 'View in AR'. Then point your Android phone or tablet at the wall where you want the artwork and follow the instructions on your screen.

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Tips for use
  • Point your camera at the floor or a piece of furniture first, then move it slowly up towards the wall. A bare white wall is hard for your phone to recognise.
  • Move your phone gently from side to side. Holding it still or waving it around quickly does not help.
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Beta feature. You need an AR-capable device (a recent iPhone/iPad or Android). The AR view is only an indication; colour, size and finish may differ in reality.

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Artist impression (not based on the entered sizes)
Example of the artwork in a room
Artist impression (not based on the entered sizes)
Example of the artwork in a room
Artist impression (not based on the entered sizes)

About ‘Saint Peter and Paul, El Greco’

Spain, between 1587 and 1592

El Greco is one of the most striking and original of artists and his work cannot be allocated to any one national school. A Greek by origin, he studied painting in Italy, in the studio of the great Titian, where he was strongly influenced by the Venetian colourists. From them he learned the technique of painting in oils. At the age of 35 he moved to the old Spanish capital, Toledo, where he became acquainted with Spanish Realist art. He was also inspired by the artistic devices employed in Italian Mannerism. El Greco stood out for the originality of his dramatically expressive style. In his portraits he devoted great attention to sharp psychological characterization. In this Hermitage painting he presents us with two different types of people. On the left is the apostle Peter, who three times denied knowing Christ, after His arrest. His appearance conveys sorrow and uncertainty, while his gaze and gesture have a sense of repentance and entreaty about them. The masterful apostle Paul, who as is well known was originally a zealous persecutor of Christians, is shown filled with spiritual ardour in his affirmation of the truth. It is possible that in his appearance the artist captured down his own features. The gestures of the hands that form the compositional centre of the work express a dialogue that nonetheless unites the two apostles.

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