The Loing's Canal, Alfred Sisley from the old master collection

Buy The Loing's Canal, Alfred Sisley as a reproduction on canvas, ArtFrame, poster and wallpaper, printed on demand in high quality.
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Product details & specifications
Type
Textile fabric (interchangeable fabric) in an aluminium or wooden frame
Width
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Height
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Custom sizing
Made to measure, in steps of 1 cm
Frame thickness
25 mm Aluminium: 2–3 mm visible on the front
Wood: 0.5 cm visible on each side
Frame colours
Black, white, aluminium, gold
Wood: natural Ayous
Finish
Fabric: matte
Aluminium frame: matte (gold glossy)
Wooden frame: natural
Acoustic option
Yes (optional)
Sturdiness
Support bar included from 180 cm (aluminium frame)
Delivery
Self-assembly kit
Hanging
Wall mounts, or on a ceiling rail (see components)
Components
Frame, acoustic panel, wall mounts, eyelets for rail mounting (via customer service)
Not suitable for
Damp areas and outdoor use
Material
SEG textile
Acoustic material (B1 fire class, partly made from recycled PET bottles)

Components (frame, acoustic panel, wall mounts, rail mounting) can be ordered via customer service. A separate interchangeable fabric can only be hung if you already have an ArtFrame.

Size
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Aluminum frames
Wooden frames New
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Acoustic material
Total price
195,-
Art code 554778
The Loing's Canal, Alfred Sisley by Masterful Masters
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About ‘The Loing's Canal, Alfred Sisley’

The Loing's Canal, Alfred Sisley

In 1880, there was a sudden change in Sisley's life and in his work. The painter abandoned Seine-et-Oise, where he had lived and worked since 1871, to move to Seine-et-Marne, where he was to live until his death in 1899. He settled finally in Moret-sur-Loing in September 1882, presumably attracted by the picturesque nature of this small town, and by its excellent location on the banks of the Loing.

During the last twenty years of his life, Sisley often painted along this river or on the banks of the Seine in the neighbouring town of Saint-Mammès. It is here that the Loing and the Seine meet. Sisley also left numerous views of the canal which follows the course of the Loing for about fifty kilometres.

Here, the artist presents an original layout. He positioned himself at a point where the canal starts to curve round, where he could see the opposite bank through a screen of poplar trees with bare trunks. This way of tackling the motif echoes the perspective effects from the past where winding roads disappeared into the distance.
The sky occupies a large part of the painting. Indeed, in the same year he finished his painting, Sisley explained his art to the critic Tavernier in these words: "the sky cannot only be a background [...] I emphasise this part of the landscape because I would like to make you understand the importance I attach to it, [...] I always begin by painting the sky."

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