In 2014, years before the Vermeer boom, I made a study of the painting "The Milkmaid".
As recently shown in the documentary on Vermeer, his studio, lighting plan and working methods are good to study.
In my photo studio, I had built the set. Two walls, plaster stucco with an antique window in them.
Details, like the nail in the wall, the plinth of Delftware tiles, the baskets, everything had to be right.
I could rent the costume, which had been commissioned by a museum. The jug was Moroccan pottery, the bread from AH, the stove bought from an antique dealer in Delft.
Behind the frosted glass window I had placed a studio flash.
I had chosen the model because of her resemblance to the original. She was not Dutch but ... Russian. Her name was Varya, who was visiting her sister, an acquaintance of mine. When I saw her I knew: I must have her.
To my mind, everything is right in the picture.
The photo was printed large and framed.
Costume: Gerritsen Theaterkostuums, Amsterdam
Make-up and dressers: Anna and Elvie
Finishing: Kleurgamma, Amsterdam
Frame: De Lijstmakers, Amsterdam, museum glass
The original photograph was exhibited by my agent in 2015 in
- Naarden Photo Off festival, summer 2015,
- Hilton Schiphol Airport, 2015 Apr 25 / May 23,
- Raddisson Blu, Beijing, China, 2015 oct 1 / dec 15,
- Marriot, Le Bourget, Paris, France, 2015 Dec 24 / 2016 Jan 31.
Ton de Zwart lives in Haarlem, the Netherlands. Works with Trudy Buren, make up artist. Prints and processing by Kleurgamma, Fine Art Photolab Amsterdam
His father taught him to handle analogue cameras, to work with film, chemicals and to print on paper. Prof photographer since..
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