Geometry of Memory by AWE by Haris Delic

Geometry of Memory is built around a large flower-like geometric form that appears carved, assembled and discovered rather than simply drawn. Layered ivory surfaces open into areas of deep blue, turquoise, soft rose and gold, while a small fragment of patterned kilim introduces the warmth and irregularity of textile into the precise geometry.
The inspiration came from my interest in bringing traditional decorative language into an imagined contemporary object without reproducing a specific historical artifact. Spirals, circles, fine black lines, carved floral structures and geometric textile patterns coexist as fragments of a visual memory. Some elements feel ancient, others modern, yet they belong to the same invented object.
The work combines digital and generative techniques with detailed attention to relief, surface texture, shadows, ornament and asymmetrical composition. I wanted the warm ivory background to feel almost tactile, like handmade paper, plaster or carved material, allowing the restrained colors and metallic details to emerge gradually.
The atmosphere is quieter than in many of my more intensely colored works. For me, it suggests memory not as a literal picture of the past, but as fragments that are continually rearranged into something new. In an interior, its warm neutral foundation creates a calm presence, while the geometry, textile details and subtle colors reward closer observation.