Landscape at Le Cannet, Pierre Bonnard (1928)
Landscape at Le Cannet is the most ambitious depiction of the world that was the central setting in Bonnard’s art for the final decades of his life. Taking a position on the hill above his home, which he had christened “Le Bosquet” for the grove of trees that surrounded it, Bonnard looked to the west, toward the Esterel mountains. The roof of Le Bosquet, near the tree at center of the composition, gives a sense of Bonnard’s personal scale in the context of the panorama; the two hillocks in the foreground fall towards the pathway that borders the rear of Bonnard’s property, where a girl and her dog can be seen passing by. Bonnard places himself in the right foreground, beside a pair of goats; a cow stands among spiky plants at the other side of the canvas. Suffused with warm light and with a rainbow-like array of colors, the painting was intended to decorate the home of a distinguished collector on the outskirts of Paris.
