The image shows an impressive stencil-style graffiti depicting a panda in black and white on a light-coloured, textured background. The panda sits upright, its front paws hanging loosely over an implied bar or ledge, giving it a relaxed yet present demeanour. The depiction is graphically reduced, with a strong contrast between the deep black of the fur and the white areas on the face and paws.
The background is a mixture of urban rawness and artistic playfulness. Splashes of colour in red, blue, yellow and turquoise break up the monochrome depiction and lend the picture dynamism and energy. Particularly striking is a red heart-shaped splash of colour to the left of the panda, which looks like an emotional statement. The surroundings are characterised by trails of colour, drips and stencil techniques, reinforcing the impression of a typical street art composition.
The artist's signature can be seen in the bottom left-hand corner, indicating an individual signature and authorship. The work impressively combines the innocence and sympathy of the panda with the rebellious, spontaneous aesthetic of urban street art. It is at once charming, expressive and socially relevant - a modern eye-catcher with a deep emotional impact.
Conceived by Michael Ladenthin, visualized with AI.
The images belong primarily to the cycle CMY, which, based on the technique of modern printing technology, consists essentially of the colors cyan, magenta and yellow. The colors are used in the priming for image composition and later elaborated in the details.
The pictures are rather..
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Germany
Netherlands
Netherlands
Germany
Netherlands
Netherlands
Germany
Germany
Netherlands
Netherlands
Germany
Netherlands