Under Her Weight by Retrotimes

This work revolves around balance, division of roles and unspoken agreements. A man stands upright in an empty landscape, dressed in a smart suit, his posture controlled. He holds an umbrella in his hand. Above him: a woman in a flowing red dress, elevated and unaffected, as if she is not being protected but carried. The rain is falling, the air is heavy, but the scene remains controlled. Nothing wavers. Not yet. The image plays with classic symbols — strength, care, elegance — and subtly brings them into sharp focus. The umbrella is not a shield against the storm, but a construction that reveals a hierarchy. Who is carrying whom? Who is protecting whom? And more importantly, who is standing still while the other looks ahead? The woman gazes into the distance, detached from the man beneath her. He looks ahead, but remains anchored to the ground.

The colour contrasts are striking. The deep red of the dress cuts through the cool grey of the sky and stone. Here, red does not stand for romance, but for weight and presence. The dress is beautiful, but also massive. It demands space. The man offers it — without protest, without visible effort.

This work is not about love in the gentle sense, but about dedication, expectation and the silent compromises we don't normally mention. About how stability sometimes means that someone else can rise. And about the question that lingers: is this balance, or postponement?

As a print, this is a strong, elegant statement. It looks stylish and timeless, but is just edgy enough to remain interesting. For those who appreciate beauty, but do not shy away from complexity. This is not a romantic image. This is an agreement — captured in silence, in the middle of the rain.