In the centre of the oldest desert in the world lies a place that has transformed silence into form: Dead Vlei - a dry, cracked salt pan surrounded by glowing sand dunes whose colours change between orange, gold and terracotta in the sunlight. This picture shows a dead camelthorn tree, its gnarled form jutting into the immaculate sky - like a figure from another time in the midst of utter tranquillity.
The tree stands alone - rooted in the dead ground, raised against the void. Around it: space, light, shadow. It is a scene that tells of stillness - and at the same time has a more intense effect than many moving images. The light-coloured floor reflects the sunlight, the shadows are sharp. And yet there is an almost meditative softness over everything, as if time itself is at rest here.
This tree has survived for hundreds of years - dead, but not decayed. The extreme dryness of the region has preserved it in a natural way. Its silhouette acts as a symbol of endurance, of surviving beyond time. It speaks without words - and remains.
Namibia, the land of contrasts, produces a landscape with the Dead Vlei that is more than just desert. It is a symbol of reduction, of concentration, of what remains. Those who stand here stand still - not because they have to, but because the landscape demands it.
Photographically, the picture is characterised by a clear composition: horizon line, light axes, tension through emptiness. Here, nature photography enters into a dialogue with abstraction.
I have always enjoyed photography. Even when I was young, I took photos with the Beirette. It even happened to me once that I inserted a film twice ... and the photos I took were very interesting.
I then bought my digital SLR camera in 2014. The first photos..
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