I made this photograph at blue hour with the gondolas set as a steady foreground and the Rialto Bridge glowing across the canal. I waited for the first lights to open on the facades so warm and cool tones could balance, and the water could carry the bridge like a line of verse. The scene holds stillness in front and a measured breath of motion behind.
A slow exposure smoothed the ripples while the bridge stayed crisp. I paid attention to worn moorings, a faint wake near the steps, and the echo of arches in the water. The composition favors a stable horizon and clear geometry so the eye can rest.
What I wanted was a collected, open feeling that suits quiet interiors and hospitality spaces. This is Venice as everyday theatre rather than spectacle, a reminder that the city works and dreams at the same time, and that the first lights of evening are an invitation rather than an ending.
Designer and photographer, seduced by color... Read more…